Essential Photography Books

When I was first given the opportunity to teach digital photography, I had to head to the bookstore. My last college photography class had been 1979. I had taken 3 levels of photography and had worked as a photojournalist in my mid-20s, but remembering how I was taught the essentials was packed away somewhere in the attic section of my brain.

My digital photography curriculum is a combination of photography essentials (composition, lighting, point-of-view, expression, topics) and Photoshop. During the warm weather months we focus on those photography topics (which would apply to film as well) and then, obviously, during the months with nasty weather, we focus on Photoshop and studio photography. And, as you probably have discovered, there are no books that I have run across that cover both topics well, which is understandable. And for that reason, I do not use a text book.

The majority of the photography part of the curriculum came from two fantastic books, John Hedgecoe: The New Manual of Photography: A Definitive Guide to Photography in Every Format, and his more basic one, John Hedgecoe's Photography Basics. I recommend both, because you can use a lot of the chapters from his Basics directly in the classroom. The Definitive Guide takes more careful thought about what is too advanced or non-essential for your students. I remembered him from college. I loved his book on filmmaking. He writes so beautifully and from the perspective of an artist, not a tech geek. And, they are visually exciting books, as well.

Here are just a partial list of sub topics in his chapter called, "The Art of Good Photography Composition" (Definitive Guide): The selective eye; placing the subject in the frame; using diagonals; circles; frames within frames; selecting a viewpoint; linear perspective; using shadows; texture, pattern, and quite a few more. He has another complete chapter devoted solely to color.

So, if, like me, it's been a long time since you took that photography class, consider these two books. There are many others that cover more specific or advanced photography topics, but these are the best essentials for the art of photography.

New Assignment Got You Scared?

This is the time of year when a lot of art educators, especially in public high schools, are told, "You will be teaching __________ (fill in something you know diddly-squat about)." That's the nature of our job. If parents only knew how unprepared we sometimes are. If you are visiting this blog because you were just told to teach Computer Graphics or Digital Photography or some other form of creative visual communication on the computer for which you have little experience, relax: there is help, very affordable help, with a friendly name: lynda.com. This site has very detailed video tutorials on just about any software you will need to know, as well as great basic information about.

For example, they have about 120 hours of Photoshop CS3 tutorials, broken up into manageable chapters. But they also have 5 hours of Digital Photography principles, from history of photography to composition. They cover about 200 products from Illustrator to Flash to 3D Studio Max to Dreamweaver, even basics like Word, all up to date.

Lynda.com is designed to be very comforting and easy to follow. The individuals who teach each topic are the type of person you'd like to take out to dinner. Nice, friendly folks.

But, here's the beauty of it. This incredible video collection is only about $25/month with no long-term commitment. That means if you only have July to get your act together, you pay $25 and you can spend 10 hours a day with it if you want. You play only the videos you need, you replay them if you need to. Easy.

My husband (an animator and multi-media wizard) and I use it frequently. I have recommended it to several teachers who couldn't afford a local college class (or wanted to move faster than the local class) and they have loved it as much as we do.

So go meet Lynda and relax.

Adobe School Innovation Competition-May 12

From their website:

"With the theme My Community — My Planet — My 21st Century, high school students in grades 9–12 (ages 14–19) can submit entries in three categories: Web Design and Development, Film and Video, and Graphic and Print Design. Category award winners as well as one grand prize winner for best overall submission will be chosen.

Submitted projects, dealing with students' community, the world around them, and their own future, should showcase the most creative and innovative use of technology using Adobe products. The deadline for submissions is May 12, 2008. Winners will be announced at NECC in San Antonio, Texas."

Now for Something Completely Different

You've graduated from Etch-A-Sketch to Photoshop, but have you tried this yet?

Sequential Art Project

My digital photography students have enjoyed a sequential art project where they turned a story idea into photos, the photos into comic-book style art and then created a few pages of a comic book. Above is an example of a frame I did. The steps are pretty easy:

1. Open a photo in Photoshop and adjust it in Image>Adjustment>Levels so that you have no more than about 15% as shadow areas, paying particular attention to reducing dark shadows in key areas, like faces. (Unless you are going for the dark, mysterious, detective style of comic art).
2. Unlock the background layer.
3. Filter>Sketch>Stamp (make sure the default colors are black and white).
4. Select>Color Range. Choose the white. Then hit delete to make all the white areas transparent.
5. Make a new layer UNDER the stamp layer.
6. Paint on the bottom layer, so that the color shows under the black and transparent stamp image.
7. Add your talk bubbles on separate layers so you can move, flip or scale them. (Talk Bubbles are hiding in the library menu for freeform shapes: choose the shape tool, in the top toolbar choose the freeform shape, choose the arrow at the top for the library of more shapes you can add, find TalkBubbles). Type your dialog using a comic-book style font.

(Some students experimented with other filters to create a slightly different illustration style.)

My students started with a story board sketch. After the above steps they placed them on a new page and added black boxes behind each frame (to look like black borders) and made a title frame.

This idea has so much potential. It's a way to add story-telling into your curriculum. The original idea actually came from an English teacher at my school who had attended a workshop on incorporating sequential art making as a form of storytelling.

Comic Life is a sequential art-making software that has layout templates, style filters, comic-style fonts, i.e. short cut software perfect for this project. This software came free with iMacs for awhile (not sure about this year's iMacs), but is very inexpensive to purchase: http://plasq.com/comiclife So, if you are collaborating with an English teacher who doesn't know much about Photoshop, Comic Life may be the perfect answer.

My lesson plan for this project (using In Design for the layout, but you could use Photoshop for the layout just as easily) along with other projects in on my Teachers Pay Teachers site.

Picking Dawn's Brain

Dawn Pederson keeps a blog called "Dawn's Brain", but its her class website that is the gold mine. She has given me permission to share these with you and I did mention it in an earlier blog. But, I just want to mention it again. She has wonderful lessons for graphic design teachers, for example: "You're the Movie: Poster Project", "Layout Game" (I'm stealing this one, Dawn), "Color Theory Mandala", "Color Emotions Poster", "Text as Image". Check it out.

How do Ideas become Images?

Telling Stories to Trees, watercolor illustration by Rima Staines

A Button House for a Button Mouse, illustration by Rima Staines

I love to read the blog of illustrator Rima Staines. Her writings remind me of how art comes from ideas and ideas from art. Art that inspires us to spend time with it for awhile is rich with ideas.

As she writes in her profile on her etsy shop: "Rima's curiosity leads her through the many worlds of words, languages and lettering, books and stories, puppetry, nature and interesting people, music, superstitions, folklore and fairytales, and most of all the otherness that can be found on the periphery of our lives, the strange and grotesque, the absurd and unnerving ... that topsy turvy in between place where things are not quite what they seem...Rima paints and draws on wood and paper. She enjoys entwining script and image closely and loves to write rhyming stories to tell her characters' tales using forgotten words and other languages."

Her illustrations and the work of other illustrators that she writes about evoke a whole story just in the one sample illustration. They are a glimpse into a vast magical world that we get an invitation to once in while. It reminds me of that game my son plays on the internet that he'll never get to the end of because the game designers keep adding more "worlds". We never get to the end of ideas and stories, so we'll never run out of the magic world of illustrations.

With digital media, our students don't really tap into the magic until after they've gotten a good handle on the technology. But once they do, it is very exciting. I plan on posting regular "When Magic Happens" examples of students and include their description of where their idea came from (if they can articulate it).

Until then, I hope you spend some time with Rima's blog. I think it will give you lots of ideas.